Welcome to the world of the Vincent D'Onofrio obsessed - and a bit of real life thrown in.
Saturday, March 03, 2012
Friday, March 02, 2012
The closest I could get to this was pulling a clip from the latest TV programme. After copying it from my satellite TV box on to my DVD recorder's hard drive, then copying it on to DVD, the next route was to rip it from the DVD on to my computer.
Sadly, I never got round to putting my DVD ripping software on to this computer, so I decided it would be quicker to use an older laptop. WRONG!
It's so long since I used it, everything needed updating, and all the updates took forever. Meanwhile, the film, which was in widescreen at almost every stage, played on the computer, and ripped, as standard screen, which doesn't give the visuals their due.
Well, here is the best I could manage. It shows how intelligently Hockney talks about art - his own and art in general. He is articulate and eloquent, and what he says is truly eye-opening. I'm a complete convert.
Thursday, March 01, 2012
Channel 4's 10 O'Clock Live was watched by a total of 1.1 million viewers, a 6% share, between 10pm and 10.55pm. (This is a topical comedy show with some well-loved comedians.)
It had the better of BBC2 sitcom Roger and Val Have Just Got In, which had 700,000 viewers (3.5%) between 10pm and 10.30pm, including 38,000 viewers on BBC HD. (A comedy show starring Alfred Molina. Looks like another miss, Alfie.)
And the winner in this time slot is:
Channel 5's Law and Order: Criminal Intent, had 1.2 million viewers (6.7%) between 10pm and 10.55pm. (Some US cop show or other...)
Wednesday, February 29, 2012
A couple of years ago I did a post about the hospital school and the children's hospital where it's housed (sort of). It has a huge glass atrium where the school was inserted with no walls, no ceiling, glaring sunlight, heat in summer, cold in winter and voices echoing all round you and leaving you with a headache. The architects and engineers did such a good job of this abomination that six years after the building opened they are installing internal scaffolding so that they can replace the glass, which it seems is not safe. So now the heat is even worse because the school area is boxed in, and the noise is unbearable. Imagine being in a box with someone banging scaffolding together around you. Once I had finished, I intended to try and get some science DVDs for Alex's schooling. I was unsuccessful. But my long trek (seemed like about 3 million miles, but it was probably only a round trip of 5 or 6) took me close to the Royal Academy of Arts, so I decided to see if I could get in to see the Hockney exhibition.
Wow! It was stunning. Even with my legs dropping off, I spent an hour-and-a-half taking it all in. It was much better than the Leonardo exhibition, because real thought had been put into how to group and display the pictures. I suppose it helps that the artist is still alive to supervise.
The landscapes date back over his career back to the 1950s, with a substantial number done recently specifically for the exhibition. There are oils, b/w sketches, watercolours and TA-DA! pictures done on the iPad. There are slideshows of them on several machines, and there are huge, multi-page printouts. I wish I had an App for that...
Of course, the crowning glory of the exhibition was the filmshow. Hockney had supervised the editing together of his nine-camera films so that 18 frames were showing at once, with the same scene filmed at different times on either side. There were audible gasps as one pair of films moved into the next.
Most people were awed into silence as they watched. It was a really peaceful and calming experience.
Except for the man next to me with his audioguide on (why?) and loud enough for me to have to suffer it too.
And the woman who took a phone call. The ringtone was not enough. Her side of the conversation was not enough. She had to make sure I could hear the other half too.
And the man who felt obliged to explain every set to his wife. Obviously she was stupid and he was so brilliant he had to give her - and the rest of us ignoramuses - the benefit of his genius.
And the women who held a loud conversation, most of it nothing to do with what was on show, and who weren't even looking at the screen. My contribution was to ask them equally loudly to take their conversation outside.
What is wrong with people? Why can't they relax and enjoy having something so wonderful just wash over them?
Monday, February 27, 2012
Sunday, February 26, 2012
We decided to get the bus back to the train station to see if there was anything interesting along the way. We got off at Piccadilly, near a church that has an arty-crafty market in its grounds. (Consecrated 1684, but not one of Christopher Wren's finest.)
The exhibition in question is called A Bigger Picture. For a year, Hockney and his assistants travelled around the Yorkshire countryside in a van with nine cameras on top in a 3 x 3 pattern, filming the same views over and over again at different times of day, and in different seasons and weather conditions. He then composed huge nine-part pictures, which adorn the walls of the gallery, and his films, moving seemlessly along, are projected.
I've never really been a Hockney fan, and I loathe his fanatical approach to smoking, but I have to admit that the TV programme I saw about this exhibition really caught my imagination, and if I don't manage to get myself along to see it I will be very disappointed.
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