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Welcome to the world of the Vincent D'Onofrio obsessed - and a bit of real life thrown in.


Friday, July 26, 2013

Consumed

Only a Vincent fan will understand.

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Wednesday, July 24, 2013

Conscience

Getting all hot and bothered. Me as well as him.

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Monday, July 22, 2013

Collective

Just look at that expression. Little boy at play, needs cuddle. Or spanking...

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Sunday, July 21, 2013

Chained Exclusive! Rerun

I've decided to republish this little gem from last year's London Frightfest because Jennifer Lynch has been getting some nasty trolls tweeting and blogging against her, and I thought it might be nice to show her that she is appreciated. I know some of you were too wimpish to watch the film, even to see our favourite actor, because Bobby Goren this character is not. But I know we are all glad to know he is getting the chance to stretch his creative wings, which Jen certainly gave him here.

Review, and interview with Jennifer Lynch.


This was a harrowing film during the showing of which the audience sat for the most part in stunned silence.

Vincent D'Onofrio acts brilliantly, as we would expect, and needs make no effort to be believable as a brute capable of dragging and carrying a full-grown woman screaming and struggling to her doom.

There are some flashbacks to the childhood experiences that made Vincent's character, Bob, what he is. As he tries to persuade/coerce Rabbit to emulate his actions and lifestyle, there are some interesting psychological observations in the portrayals under Lynch's direction.

There is a twist at the end that Lynch had to reduce because of time comstraints. Lynch is hoping to release a Director's Cut to restore the lost scenes.

On the absolute unmissable plus side, there are shots of Vincent's torso, front and back and in the shower, his lovely calves, and those size 13s. Plus a side view of one bum cheek with leg on top of a victim as he dozes. Trust me, it's worth all the nastiness.

As this recording of part of the interview starts, Lynch has been discussing the doctoring of the one murder scene that is visual rather than audible as required by the censors. It had to be painted out as being "too realistic" which, she said, was rather the point.


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